Guido Reni“The youth’s body—it might even be likened to that of Antinous, beloved of Hadrian, whose beauty has been so often immortalized in sculpture—shows none of the traces of missionary hardship or decrepitude that are to be found in depictions of other saints; instead, there is only the springtime of youth, only light and beauty and pleasure (…) The arrows have eaten into the tense, fragrant, youthful flesh and are about to consume his body from within with flames of supreme agony and ecstasy. But there is no flowing blood, nor yet the host of arrows seen in other pictures of Sebastian’s martyrdom. Instead, two lone arrows cast their tranquil and graceful shadows upon the smoothness of his skin, like the shadows of a bough falling upon a marble stairway.”
The Martyrdom of Saint Sebastian
oil on canvas
146 x 113 cm
1616
Yukio Mishima, Confessions of a Mask
(via malebeautyinart)